Dr. Barlo® on 3 hard rock / heavy matel tunes...

Dr. Barlo®

http://soundcloud.com/dr-barlo-r

Suspicious View

- Warmoth walnut hardtail strat: Duncan PATB-3 bridge 
- The main guitar: Poulin ENGL amp VST + RedWirez ENGL V30 Cab + Antress Modern Plugins 
- The second guitar: Poulin Soldano SLO100 amp VST + RedWirez G12H30 1960 IR + Antress Modern Plugins 
- EMU 1616m + Cubase

Being lost in her mind
- Warmoth walnut hardtail strat: Duncan PATB-3 bridge 
- The main guitar: Poulin SLO100 amp VST + RedWirez G12H30 1960 IR + Mokafix Voodoo TS + Antress Modern Plugins 
- The second guitar: Poulin ENGL amp VST + RedWirez G12H30 1960 IR + Antress Modern Plugins 
- EMU 1616m + Cubase
Tailing at 120Mph on the Left Lane
- Warmoth walnut hardtail strat: Duncan PATB-3 bridge and Duncan 59N (alnico 4 mag) 
- Bridge: Poulin SLO100 amp VST + RedWirez G12H30 1960 IR + Mokafix Voodoo TS + Antress Modern Plugins 
- Neck: Kuassa Creme Amp + Univibe VST + Antress Modern Plugins 
- EMU 1616m + Cubase
B

DLT Amplification - Rev. Bumble (Barlo Mk.) - On a rocking boogie backtrack

Playing on some backtrack...


D-ODS type amp with:
- Hammond Bassman OT
- Hammond Vibro PT
- Tube Reverb
- ODS Channel (drive; level; drive shape)
- Resonance
- Volume, Bass, Mid, Treble, Drive, Level, Presence, Master (front)
- Reverb, Drive Shape, Resonance (back)
- Footswitch: Channel + Boost (Tone Stack Bypass)
- Quality caps and pots...


This recording is done with:
- 2001 Warmoth Walnut Hardtail Stratocaster (Rosewood/Maple neck)
- The bridge pickup Duncan PATB-3
- Clean channel on the amp with Barber B-Custom Cool OD pedal (very low drive, but strong volume boost)
- Treble and mid ~12 o'clock; bass and resonance turned up all the way; Volume ~10 o'clock, Master turned all the way up, Clean Channel, Bright Cap on, Boost off for the parts with the bridge, on for the parts with the neck HB,
- The second part with the same setting and the addition of Analogman Chorus (Depth all the way up; Speed: all the way down
- Neck position in the second part with Duncan 59N with an alnico 4 magnet
- RMC Teese Wheels of Fire wah
- v1 (clean): Golden Dragon 12AX7 (NOS); v2 (ODS): JAN Sylvania 5751; v3 (p.i.): JJ ECC83s; v4 (reverb) JJ 12AT7; Power tubes: JJ 6L6GC
- Shure SM57 off axis
- Celestion G12H30
- Alen Geere Watt Killer 100 Attenuator: Provides 14dB of transparent volume reduction, and enables the use of all the 45 Watts at home!
- EMU1616m soundcard
- Cubase


Hope you like it.


Best,


Dr. M. BARLO
Istanbul, 11 2011

DLT Amplification - Rev. Bumble (Barlo Mk.) - On a moody backtrack

Playing on some backtrack...


D-type amp with:
- Hammond Bassman OT
- Hammond Vibro PT
- Tube Reverb
- ODS Channel (drive; level; drive shape)
- Resonance
- Volume, Bass, Mid, Treble, Drive, Level, Presence, Master (front)
- Reverb, Drive Shape, Resonance (back)
- Footswitch: Channel + Boost (Tone Stack Bypass)
- Quality caps and pots...


This recording is done with:
- 2004 PRS McCarty
- The bridge pickup (Duncan Custom Shop Brobucker HB) throughout the recording
- ODS channel on the amp with bright mod (and boost is off) and no drive pedals; all reverb is from the amp, yet added a bit delay from the recording software
- Treble and mid ~10 o'clock; bass and resonance turned up all the way; Volume ~10 o'clock, Master 3 o'clock; ODS: Level 10 o'clock, Drive: 12 o'clock
- The second part with the same setting and the addition of Analogman Chorus (D ~12 o'clock; Speed: ~8 o'clock
- v1 (clean): Golden Dragon 12AX7 (NOS); v2 (ODS): JAN Sylvania 5751; v3 (p.i.): JJ ECC83s; v4 (reverb) JJ 12AT7; Power tubes: JJ 6L6GC
- All the reverb is from the amp
- Shure SM57 off axis
- Celestion G12H30
- Dr.Z Brake Lite
- EMU1616m soundcard
- Cubase


Hope you like it.


Best,


Dr. M. BARLO
Istanbul, 08 2011